Thursday, 15 March 2012

Dis-Placing the East/West Binary - Conference

Dis-Placing the East/West Binary:

Aesthetic and Cultural Crossover in film and visual culture


Cardiff University, UK

Centre for Interdisciplinary Film and Visual Culture Research

(IFVCR)

Friday 2nd November 2012


Dis-Placing the East/West Binary: Aesthetic and Cultural Crossover in Film and Visual Culture will be a one day international symposium at Cardiff University, hosted by the Centre for Interdisciplinary Film and Visual Culture Research (IFVCR).

We invite 300 word proposals for 20 minute papers that explore contemporary displacements and transformations of the relations between East Asian and Euro-American film and visual culture. Preference will be given to proposals that examine the complexity of ‘place’ in contemporary East/West film and visual culture.

The conference will take place on Friday 2nd November, from 10am to 6pm, in the School of Journalism, Media and Cultural Studies at Cardiff University, which is located close to the city centre, walking distance from Cardiff Central Rail Station and close to all city centre hotels. There will be a registration fee.

The confirmed keynote speaker is Dr Jane Chi Hyun Park (University of Sydney), author of Yellow Future: Oriental Style in Hollywood Cinema.


Proposals and enquiries should be directed to Dr Paul Bowman: BowmanP@cf.ac.uk

Deadline for proposals is 1st June 2012.

Keynote: Dr Jane Chi Hyun Park (University of Sydney)

AuthorYellow Future: Oriental Style in Hollywood Cinema

 

Proposals: 300 words: to Dr Paul Bowman: BowmanP@cf.ac.uk

Deadline: for proposals: 1st June 2012

Venue: Cardiff, CF10 3NB: http://maps.google.co.uk/maps?hl=en&sa=N&tab=pl



Best wishes
paul
--
cv, bio, publications: http://cardiff.academia.edu/PaulBowman/About

Wednesday, 15 February 2012

Imagining Chinese Cinemas

 

Call for Papers

“Imagining Chinese Cinemas in the 21st Century”

9th-11th July 2012 (Mon-Wed), University of Exeter, UK

 

 

Funded by a Leverhulme Trust International Network grant, the research project “Chinese Cinemas in the 21st Century: Production, Consumption, Imagination” would like to invite scholars and PhD students to the launch event and workshop to be held at the University of Exeter from 9th to 11th July, 2012. This project is led by Dr Song Hwee Lim (University of Exeter), and the keynote speaker for the launch event is Professor Rey Chow (Duke University).

 

The twenty-first century has been hailed as the Chinese century. This project seeks to examine the role of art and culture (in particular, film) as a form of “soft power” capable of shaping both the region’s self-image and others’ perception of Chinese culture, which has varying impacts on local, national, regional and global levels. The phenomenal success of Crouching Tiger, Hidden Dragon (Ang Lee, 2000) is a clear example of how a quintessential Chinese film genre of wuxia (knight-errant swordplay) can transcend national boundaries to become a global imaginary. This project will pay particular attention to aspects of production, consumption and imagination that have facilitated the transnational travel of Chinese films.

 

The Exeter workshop will focus on the role of imagination in the production and consumption of Chinese cinemas in the 21st century. It seeks to address the following topics:

 

  • What and how does imagination signify in Chinese film culture? What kinds of hopes, dreams, alliances or futures can it inspire? What kinds of conflicts, tensions, dialectics or catastrophes can it incite?
  • Is imagination necessarily a liberating force or could it be potentially dangerous? Where and how might imagination be policed and censured?
  • How can issues of gender, class, sexuality and ethnicity be imagined in Chinese cinemas?
  • Does imagination have a material basis? What does it cost to imagine Chinese cinemas in a century likely to be dominated globally by a new superpower that is China?
  • Who and what are the new imagined communities in the production and consumption of Chinese cinemas? What is the role of imagination in the production and consumption of film styles, stars and genres?

 

 

 

This Call for Papers is aimed at two groups of participants:

 

(a)  We invite academics to send a 250-word abstract for a fifteen-minute paper and a 50-word biographical note. Topics are open, though preference will be given to those exploring Chinese cinemas of the 21st century and the notion of “imagination”. Selected papers will be considered for a special issue in the Journal of Chinese Cinemas to be published in 2013-2014.

 

(b)  We also invite PhD students working on any area of Chinese cinemas to present their dissertation outline or a chapter summary (250-word abstract and institutional affiliation to be sent in the first instance) at a day of workshop where the project’s network partners will serve as discussants to provide feedback. There will also be a roundtable session on “Studying Chinese Cinemas in the 21st Century” with Professor Chris Berry (Goldsmiths College, London) and Professor Rey Chow (Duke University). Up to ten sponsorships, which include two nights’ accommodation and travel expenses, are available to UK-based PhD students.

 

Please send your abstract to Song Hwee Lim at s.h.lim@exeter.ac.uk by 16th April 2012. Selected participants will be informed by the Network Facilitator by 30th April 2012. Please feel free to circulate this Call for Papers to your contacts. We look forward to welcoming you to Exeter in July 2012.

 

FORTHCOMING EVENTS:

 

  • Exeter ("IMAGINATION", July 2012)
  • Amsterdam ("CONSUMPTION", January 2013)
  • Singapore ("PRODUCTION", July 2013)
  • Taiwan (Symposium, December 2013)

 

NETWORK PARTNERS:

 

  • Song Hwee Lim (University of Exeter, principal investigator)
  • Michelle Bloom (University of California, Riverside)
  • Brenda Chan (Nanyang Technological University)
  • Kenneth Chan (University of Northern Colorado)
  • Jeroen de Kloet (University of Amsterdam)
  • Gaik Cheng Khoo (Australian National University)
  • Kien Ket Lim (National Chiao-Tung University)

 

More information about the workshop will be available in the coming months at:

http://humanities.exeter.ac.uk/research/conferences/chinesecinemas/

 

 

Tuesday, 14 February 2012

New paper: 'Return of the Dragon: Handover, Hong Kong Cinema and Chinese Ethno-Nationalism'

Here's a draft of a new paper on Hong Kong Cinema and Chinese ethno-nationalism:

http://tinyurl.com/7onwmfy

Friday, 10 February 2012

Interviews on "I Am Bruce Lee"

Of tangential interest to many, but hey:

The "documentary feature", I am Bruce Lee, has been released in cinemas in Canada and the USA. I pop up in it throughout and make sometimes intelligent sometimes boyishly effusive comments. The trailer is here:


A podcast interview with me about Bruce Lee and martial arts is here:


And (for the next few days only) a BBC Radio Wales interview with me is here:


For the BBC radio interview, start playing the show at 2 hours and 9 minutes. Apologies for the fact that the song playing before my interview starts is a Phil Collins track. God knows what the song half way through the interview. The producer told me that the songs in the show are selected by a computer programme, based on blandness and familiarity, so as not to alienate the majority of listeners. So stick that factoid in your Adorno lecture and smoke it ;-)

 

Wednesday, 25 January 2012

Differences issue on Sound

Full PDF of Rey Chow and James Steintrager's introduction to the special "Sense of Sound" double-issue of "differences" available here: